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MARSHALL AMPLIFICATION HOMEPAGE   GENERAL AMPLIFIER HOMEPAGE     MAIN HOMEPAGE
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Marshall Pedals

FULL MARSHALL PEDAL-BOARD IN STORE TO TRY OUT ANY OF THE PEDALS BELOW.

 
 
 
 
 
 
Compression is perhaps one of the most useful FX available to any guitarist who is interested in improving their sound. The purpose of the Compressor pedal is primarily to allow you to modify sustain and attack. Using classic variable gain techniques the Compressor will provide masses of clean sustain, which can enhance any playing style.

The Compressor pedal senses the level of the incoming guitar signal and, as the signal level decays, the gain of the internal circuitry is boosted to provide extra level, hence sustain. The attack control modifies the dynamic response of the guitar signal (the effect of plucking a string) and allows you to achieve a range of effects from rounded and mellow chord sustain to muted, percussive funk lines.

The Compressor also features an Emphasis control, which allows you to assign compression and target the frequencies you want to compress. This means that you can, for example, tighten up or compress your bass notes and let your treble notes ring out.

CONTROLS EMPHASIS CONTROL, VOLUME CONTROL, ATTACK CONTROL, COMPRESSION CONTROL FEATURES SOLID METAL CASING, PASSIVE BYPASS POWER 9V JACK SOCKETS INPUT JACK: GUITAR INPUT. OUTPUT JACK: SIGNAL OUT/BYPASS INPUT IMPEDANCE >1 M0hms OUTPUT LOAD IMPEDANCE <1 K0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510g 

 

 

£49

 

DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 
The cavernous Reflector reverb pedal projects your sound into the third dimension. Six reverbs add diffuse trails to your playing without ever swallowing your tone. Its sturdy metal shell houses two simulated spring reverbs with their characteristic pulse and resonance, and alongside these are the ghostly textures of Reverse mode, and the dense sound of three studio-quality reverbs.

The Reflector allows you full control over the six different reverb modes including time, damping, and level, offering FX that range from a spacious hall, to the sound of a studio plate via the beating of a vintage spring.

CONTROLS MULTI - MODE, REVERB TIME CONTROL, DAMPING CONTROL, LEVEL CONTROL FEATURES SOLID METAL CASING, PASSIVE BYPASS, EXPRESSION PEDAL INPUT POWER 9V JACK SOCKETS INPUT JACK 1: GUITAR INPUT, INPUT JACK 2: EXPRESSION PEDAL INPUT, OUTPUT JACK 1: LEFT/BYPASS, OUTPUT JACK 2 : RIGHT/SPILL INPUT IMPEDANCE >1 M0hms OUTPUT LOAD IMPEDANCE <1 k0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510g

£65

 
 
 
 
 
Of all the retro effects to hit the shops in recent years, perhaps the most authentic and coolest is tremolo. Instantly calling up the spirit of the 60s, Tremolo was the first effect to appear on a Marshall amp in the early 1960s. The late 90s sees Marshall updating the tremolo effect in the form of the Vibratrem. By using split phase modulation a truely awesome stereo sound field can be created by connecting the VT-1 up to two amplifiers. The Vibratrem features a passive bypass for the main signal path to ensure complete tonal integrity and has a quality of tone matched only by its versatility.

CONTROLS VIBRATO & TREMOLO MODE SWITCH, SPEED CONTROL, DEPTH CONTROL, WAVE SHAPE CONTROL FEATURES SOLID METAL CASING, PASSIVE BYPASS, SECOND OUTPUT FOR STEREO SPREAD POWER 9V JACK SOCKETS INPUT JACK: GUITAR INPUT, OUTPUT JACK 1: LEFT/BYPASS, OUTPUT JACK 2: RIGHT INPUT IMPEDANCE > 1M0hms OUTPUT LOAD IMPEDANCE <1 k0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510g 

 

 

 

£49

 

DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 
 
For more than 50 years, the Marshall name has been synonymous with genre defining distortion tones. Initially, the way to get classic Marshall distortion was to naturally overdrive one of our valve amps by cranking it up to full volume. As time went by, Marshall Master Volume heads allowed for even more extreme levels of distortion, as the preamp valves were driven harder.

The first generation of Marshall pedals simulated the various types of valve distortions in convenient, cost-effective stomp boxes. The Jackhammer is the next evolutionary step in Marshall distortion pedals.

The JH-1 contains our most outrageous distortion levels to date. The Contour control allows you to not only scoop out the mids, but also choose the frequencies at which the scoop occurs, allowing you to tailor your sound to your individual requirements. Although the Jackhammer has more aggression and gain than any other Marshall pedal, we never forget our heritage, with the JH-1 producing natural and realistic tones.

CONTROLS O/D AND DIST MODE SWITCH, VOLUME/GAIN CONTROL, BASS/TREBLE CONTROL, CONTOUR LEVEL/CONTOUR FREQUENCY FEATURES SOLID METAL CASING, PASSIVE BYPASS POWER 9V JACK SOCKETS INPUT JACK: GUITAR INPUT, OUTPUT JACK: Signal Out/ Bypass INPUT IMPEDANCE > 1 M0hms OUTPUT LOAD IMPEDANCE <20 k0hms DIMENSIONS in mm (W x H x D) 120 x 65

 

 

 

£49

 

DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 
The new Guvínor Plus is an updated version of the much-loved í80s original. The Guvínor became a classic footpedal known for high quality distortion tones, earning itself a special place in the hearts of distortion smitten guitarists the world over. Within the sturdy metal housing lies the tone, feel and sound of the original Guvínor, but with extra features specially designed to add extra power flexibility to cope with the exacting requirements of todayís musicians.

The tonal versatility of the Guvínor Plus is such that it is like adding another Marshall amp to your existing setup. The expanded Gain structure allows you to steer your guitar tone through many different styles. From natural sounding vintage valve amp break-up, ideal for singing blues to chunky JCM800 classic rock tones, right through to modern day super-saturation for liquid sustain and grinding chords. In addition, you will also find a Deep control which adds a resonant bass boost, giving you a similar feel and response to the resonant thump of a Marshall 4 x 12″ cabinet.

CONTROLS GAIN CONTROLS, DEEP/BASS CONTROL, MID/TREBLE CONTROL, VOLUME CONTROL FEATURES SOLID METAL CASING, PASSIVE BYPASS POWER 9V JACK SOCKETS INPUT JACK: GUITAR INPUT, OUTPUT JACK: SIGNAL OUT/BYPASS INPUT IMPEDANCE >1 M0hms OUTPUT LOAD IMPEDANCE <1 k0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510g

 

 

 

£49

 

DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 
The Bluesbreaker II takes the philosophy of our original Bluesbreaker pedal one step further by adding two modes, Blues and Boost, effectively making it two pedals in one. Boost mode is designed with the vintage valve amp or Ďtone puristí player in mind, for when you donít want to alter the tone of your amp at all, but want to drive the front end harder to push the amp further into natural overdrive.

The Boost mode features a clean boost controlled by the pedalís volume control, which will not affect your original tone. It can also be used for boosting the signal which can sometimes be lost when using long leads (particularly with single coil pick-ups). Blues mode is reminiscent of the tonal and distortion characteristics of our non Master Volume amps, such as the classic Bluesbreaker combo from the 1960s. This mode produces a wonderful natural style overdrive for crunchy chord work and singing single notes for truly inspirational leads, all delivered with the warmth and tonality of those early Marshalls.

CONTROLS BLUES OR BOOST MODE SWITCH, DRIVE CONTROL, TONE CONTROL, VOLUME CONTROL FEATURES SOLID METAL CASING, PASSIVE BYPASS POWER 9V JACK SOCKETS INPUT JACK: GUITAR INPUT, OUTPUT JACK: SIGNAL OUT/BYPASS INPUT IMPEDANCE >1 M0hms OUTPUT LOAD IMPEDANCE <50 k0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510g

  

 

 

£49

 

DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 

From crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine, the Echohead recreates six different delay FX for you to explore. Create pulsing tones and add dense rhythmic textures to your sound. The EH-1 features a maximum delay time of 2000ms, stereo outputs, and a Tap Tempo delay input.

The dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.

CONTROLS MULTI-MODE SELECTOR SWITCH, DELAY TIME CONTROL, FEEDBACK CONTROL, LEVEL CONTROL. FEATURES SOLID METAL CASING, PASSIVE BYPASS, TAP TEMPO PEDAL INPUT POWER 9V JACK SOCKETS INPUT JACK 1: GUITAR INPUT, INPUT JACK 2: TAP TEMPO PEDAL INPUT, OUTPUT JACK 1: LEFT/BYPASS, OUTPUT 2: RIGHT/SPILL INPUT IMPEDANCE >1 M0hms OUTPUT LOAD IMPEDANCE <1 k0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510g 

 

 

 

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DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 
The Regenerator is a chorus, a flanger and a phaser all in one sturdy metal stomp box. A stereo modulation pedal, the Regenerator features a diverse range of six different modes for you to explore, sure in the knowledge that the tone-preserving passive bypass is just a footswitch away.

From the sweeping detuned tones of the vintage chorus to a phaser that swells with energy, listen as the Regenerator entwines itself around your sound. With full control over the speed, depth and regeneration, itís every modulation pedal youíll ever need.

CONTROLS MULTI-MODE SELECOTR SWITCH, SPEED CONTROL, DEPTH CONTROL, REGENERATION CONTROL FEATURES SOLID METAL CASING, PASSIVE BYPASS, EXPRESSION PEDAL INPUT POWER 9V JACK SOCKETS INPUT JACK 1: GUITAR INPUT, INPUT JACK 2: EXPRESSION PEDAL INPUT, OUTPUT JACK 1: LEFT/BYPASS, OUTPUT JACK 2: RIGHT/SPILL INPUT IMPEDANCE 1M0hms OUTPUT LOAD IMPEDANCE < 1 k0hms DIMENSIONS in mm (W x H x D) 120 x 65 x 55 WEIGHT 510 

 

 

 

CHECK AVAILABILITY

 

DEMO UNIT AVAILABLE ON IN STORE PEDAL BOARD

 
 
 
 
 
 
 
 
 
 
 
 
 

Discontinued model, Second Hand or B-Stock
Marshalls are on our "general" amps page

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